A Naiad 水仙女
Painting Date: 1893
Medium: Oil on canvas
Size: Unknown
Location: Private Collection
About the painting: Also known as 'Hylas with a Nymph'.
“水之仙女刚刚上岸，她从树干的缝隙中窥看裹着豹皮的熟睡的青年。画面中几乎无处不在的红色和绿色的对比（俗称红配绿）被湖水反射出的蓝色减弱，并呈现出相当的协调”
(引自本图1893年展览时Henry Blackburn 所写的注释)
The Lady of Shalott 夏洛特女子
Painting Date: 1894
Medium: Oil on canvas
Size: 142 x 86 cm
Location: City Art Gallery, Leeds, England
根据丁尼生的The Lady of Shalott：
She left the web, she left the loom,
She made three paces thro' the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side;
"The curse is come upon me," cried
St Cecilia 圣赛西莉娅
Painting Date: 1895
Medium: Oil on canvas
Size: 46 x 77 in
Location: Private Collection
圣赛西莉娅生活在约公元前230年，她因发誓终身信仰基督教并保持贞节而闻名。圣赛西莉娅节是11月22日。
本图1895年展出时附有丁尼生的The Palace of Art中的诗句
'In a clear walled city on the sea.
Near gilded organ pipes - slept St. Cecily'.
沃特豪斯尝试用本图传达某种中世纪的感觉，而他也的确做到了。富有装饰性的画面，还有一点宗教画的味道。几乎没有现实主义和日常生活的痕迹。
Hylas and the Nymphs 海拉斯与水仙女
Artist: John William Waterhouse
Painting Date: 1896
Medium: Oil on canvas
Size: 38 x 64 in
Location: Manchester City Art Galleries, Manchester, England
赫库勒斯乘船到达塞欧斯岛，赫库勒斯的伙伴海拉斯上岸寻找水源，海拉斯找到了泉水，但水仙女们爱上年轻英俊的海拉斯，把他带入她们的世界。
碧色的湖面，美丽的水仙女，看似零乱实则精心安排的植物，使诗意在画面上缓缓流动。
